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  • Issue: No. 94, Fall 2012

    2012

    Articles

    • Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”

      Susan Boynton

    • A Cross-Cultural Grammar for Temporal Harmony in Afro-Latin Musics: Clave, Partido-Alto and Other Timelines

      Mehmet Vurkaç

    • Horses For Discourses?: The Transition from Oral to Broadside Narrative in “Skewball”

      Seán Ó Cadhla

    • An Account of Emotional Specificity in Classic-Romantic Music

      Jeffrey Swinkin

    • Suspicious Silence: Walking Out on John Cage

      Clark Lunberry

    Book Reviews

    • Badiou Contra Badiou: Review of Alain Badiou. 2010. Five Lessons on Wagner, translated by Susan Spitzer. London: Verso

      Naomi Waltham-Smith

    • Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.

      Joseph Abramo

    • Review of Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. Abingdon, UK, and New York, NY: Routledge.

      Scott Gleason

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    • Copyright

    Published in partnership with Columbia University Libraries and Columbia University Department of Music.

    Distributed through Columbia University’s Academic Commons.

    This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

    ISSN (Print): 0011-3735   ISSN (Online): 2640-883X