Issue: No. 94, Fall 2012

Articles

• Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”

  Susan Boynton

• A Cross-Cultural Grammar for Temporal Harmony in Afro-Latin Musics: Clave, Partido-Alto and Other Timelines

  Mehmet Vurkaç

• Horses For Discourses?: The Transition from Oral to Broadside Narrative in “Skewball”

  Seán Ó Cadhla

• An Account of Emotional Specificity in Classic-Romantic Music

  Jeffrey Swinkin

• Suspicious Silence: Walking Out on John Cage

  Clark Lunberry

Book Reviews

• Badiou Contra Badiou: Review of Alain Badiou. 2010. Five Lessons on Wagner, translated by Susan Spitzer. London: Verso

  Naomi Waltham-Smith

• Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.

  Joseph Abramo

• Review of Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. Abingdon, UK, and New York, NY: Routledge.

  Scott Gleason