Current Issue
No. 102, Spring 2018: Sounding the Break: Music Studies and the Political
Articles
-
-
The Musicological Elite
Tamara Levitz
-
Power and Equity in the Academy: Change from Within
Ellie M. Hisama
-
Academic Labor and Music Curricula
Lucie Vágnerová and Andrés García Molina
-
Black Noise, White Ears: Resilience, Rap, and the Killing of Jordan Davis
William Cheng
-
In Praise of Eclecticism: Relational Thinking and Theoretical Assemblage
Ingrid Monson
-
Introduction: I am Nothing
Licia Fiol-Matta
-
Nothing/Nada
Jack Halberstam
-
Licia’s Lectures on Nothing
Fred Moten
-
Awakening the Sensorium in Puerto Rico’s Colonial Modernity
Arnaldo M. Cruz-Malavé
-
The Wonder of Delays
Alexandra T. Vazquez
-
Seeing and Hearing the Thinking Voice
Gayatri Gopinath
-
Archival Nothing
Licia Fiol-Matta
Book Reviews
-
Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Chicago: University of Chicago Press
Emily Hansell Clark
-
David Brackett. 2016. Categorizing Sound: Genre and Twentieth-Century Popular Music. Berkeley: University of California Press
Thomas Johnson
-
Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance. New York: Routledge
Jane Forner
-
Chávez, Alex E. 2017. Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham, NC: Duke University Press
Nandini Rupa Banerjee-Datta